{"id":9065,"date":"2019-07-11T10:55:30","date_gmt":"2019-07-11T10:55:30","guid":{"rendered":"https:\/\/www.fondazionemorragreco.com\/?p=9065"},"modified":"2026-03-28T16:12:54","modified_gmt":"2026-03-28T16:12:54","slug":"studio-for-propositional-cinema","status":"publish","type":"post","link":"https:\/\/www.fondazionemorragreco.com\/en\/studio-for-propositional-cinema\/","title":{"rendered":"The Storytellers\u2019 Fountain: a tale told by A Gust of Wind in the low and dark rooms"},"content":{"rendered":"\n<div class=\"wp-block-uagb-advanced-heading uagb-block-ee250198 uag-hide-tab uag-hide-mob\"><h1 class=\"uagb-heading-text\">The Storytellers\u2019 Fountain: a tale told by A Gust of Wind in the low and dark rooms<\/h1><\/div>\n\n\n\n<div class=\"wp-block-uagb-advanced-heading uagb-block-5cff258e uag-hide-desktop\"><h2 class=\"uagb-heading-text\">The Storytellers\u2019 Fountain: a tale told by A Gust of Wind in the low and dark rooms<\/h2><\/div>\n\n\n\n<div class=\"wp-block-uagb-container uagb-block-a6eca924 alignfull uagb-is-root-container\"><div class=\"uagb-container-inner-blocks-wrap\">\n<div class=\"wp-block-uagb-container uagb-block-0358caad\"><\/div>\n\n\n\n<div class=\"wp-block-uagb-container uagb-block-c65e1393\"><acf-view-69c7eeaa0e29e class=\"acf-view acf-view--id--69c7eeaa0e29e acf-view--object-id--9065\"><p class=\"acf-view__data\">19.12.2019<\/p><\/acf-view-69c7eeaa0e29e>\n\n<acf-view-69c7eeca60039 class=\"acf-view acf-view--id--69c7eeca60039 acf-view--object-id--9065\"><p class=\"acf-view__data-finale\">22.02.2020<\/p><\/acf-view-69c7eeca60039><\/div>\n<\/div><\/div>\n\n\n\n<div class=\"wp-block-uagb-container uagb-block-012b910d alignfull uagb-is-root-container\"><div class=\"uagb-container-inner-blocks-wrap\">\n<div class=\"wp-block-uagb-container uagb-block-1a30a2df\"><acf-view-69c7e4f2dc843 class=\"acf-view acf-view--id--69c7e4f2dc843 acf-view--object-id--9065\"><p class=\"acf-view__sottotitolo\">Studio for Propositional Cinema<\/p><\/acf-view-69c7e4f2dc843><\/div>\n\n\n\n<div class=\"wp-block-uagb-container uagb-block-c1d51e25\">\n<div class=\"fmg-archive-wrapper\" style=\"font-family:'Montserrat', sans-serif; max-width:1100px; margin:0 auto;\"><div class=\"fmg-text-block\" style=\"margin-bottom:30px; line-height:1.8;\"><p>SCENE DESCRIPTION<\/p>\n<p>1. CONTEXT IS CONTENT<\/p>\n<p>The exhibition inhabits six frescoed rooms on the first floor of the Palazzo Caracciolo d\u2019Avellino, as well as the building\u2019s basement. The basement contains ancient Greek ruins which were uncovered, along with the frescos, during a renovation initiated by Fondazione Morra Greco in 2015. The frescos were executed in the early 18th century by Giacomo del Po (1654-1726) and his collaborators, by commission of Marino III Caracciolo (1668-1720) &amp; Antonia Spinola (1669-1744).<\/p>\n<p>Palazzo Caracciolo d\u2019Avellino was converted from a Benedictine monastery in 1610 by Marino II Caracciolo (1587- 1630) and Francesca d\u2019Avalos d\u2019Aquino d\u2019Aragona (d. 1676). During this period Giambattista Basile (1566-1632) was the court writer of the Prince Caracciolo d\u2019Avellino. In 1619, Basile composed and published an idyll in Prince Marino\u2019s honour: the story of Arethusa.<\/p>\n<p>Fondazione Morra Greco has operated an exhibition and residency program in Palazzo Caracciolo d\u2019Avellino since 2006. From April to December, 2019, Studio for Propositional (founded 2013) lived in residence at Fondazione Morra Greco. The exhibition script is loosely based on the Basile\u2019s Arethusa.<\/p>\n<p>2. MYTHS ARE LIVING STRUCTURES<\/p>\n<p>The Arethusa myth in poetry can be traced through Virgil (40 B.C.), Ovid (8 A.D.), John Milton (1634), John Keats (1818), Percy Bysshe Shelley (1820), and Ezra Pound (1956), among others. It depicts the river nymph Arethusa who, one day after hunting, bathes in a stream that is actually the river god Alpheus, who falls in love with her and pursues her against her will. To evade capture, Arethusa enacts several escape attempts; firstly she flees, but is out-endured by Alpheus; secondly she hides in a cloud conjured by her patron Diana, the goddess of hunting, which, as she perspires as Alpheus grows near, turns into water; finally she finds escape through a hole in the earth and flees her homeland in Greece, emerging as a fountain in Syracuse, Italy. In different tellings she variously escapes Alpheus, or her pursuer returns to liquid form and mingles with her waters in violent conclusion.<\/p>\n<p>The endurance of Arethusa\u2019s story lies in its thinly veiled allegorisation of gender struggle, sexual freedom, empiricism, colonialism, forced migration, and other never-ending battles between the conflicting desires for freedom and the desires for domination that define the human condition.<\/p>\n<p>Stories are open structures that may be occupied at any time by anyone, alterable to suit their needs. Because their structural integrity is proven, they are convenient and expedient bases from which to act, shortcuts to understanding our present and imagining our futures.<\/p>\n<p>3. STORIES ARE BLUEPRINTS<\/p>\n<p>Narratives sketch out potential realities in manners relatable across cultures, geographies, and generations. It is no coincidence that they have been the building blocks of all religions who have attempted to exert control through the manipulation of desire through the pull of the imaginary. Retaining or reclaiming control of the narratives that structure our lives and desires is the foundation for constructing the shape and content of our futures.<\/p>\n<p>The stories we tell can be used as prototypes for the worlds we want to build. It is our responsibility to construct these stories not just for ourselves but also for unknown futures. As long as they stay alive they can exist as possibilities for a better world, no matter how remote or unlikely.<\/p>\n<p>This is not fantasy, this is realism.<\/p>\n<p>Studio For Propositional Cinema<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>All images Courtesy Fondazione Morra Greco, Napoli<br \/>\n\u00a9 Maurizio Esposito<\/p>\n<p>&nbsp;<\/p>\n<p><a href=\"https:\/\/www.fondazionemorragreco.com\/wp-content\/uploads\/2019\/06\/Fondazione-Morra-Greco-POC.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignleft wp-image-10867\" src=\"https:\/\/www.fondazionemorragreco.com\/wp-content\/uploads\/2019\/06\/Fondazione-Morra-Greco-POC-150x150.jpg\" alt=\"\" width=\"148\" height=\"50\" srcset=\"https:\/\/www.fondazionemorragreco.com\/wp-content\/uploads\/2019\/06\/Fondazione-Morra-Greco-POC-300x101.jpg 300w, https:\/\/www.fondazionemorragreco.com\/wp-content\/uploads\/2019\/06\/Fondazione-Morra-Greco-POC-768x260.jpg 768w, https:\/\/www.fondazionemorragreco.com\/wp-content\/uploads\/2019\/06\/Fondazione-Morra-Greco-POC-1024x346.jpg 1024w, https:\/\/www.fondazionemorragreco.com\/wp-content\/uploads\/2019\/06\/Fondazione-Morra-Greco-POC.jpg 1275w\" sizes=\"auto, (max-width: 148px) 100vw, 148px\" \/><\/a><\/p>\n<\/div><div class=\"mansory\" data-fancybox=\"gallery\" style=\"display: grid; grid-template-columns: repeat(auto-fill, minmax(300px, 1fr)); gap: 15px; margin: 40px 0;\"><div class=\"item\"><a class=\"fancybox\" href=\"https:\/\/www.fondazionemorragreco.com\/wp-content\/uploads\/2019\/07\/1-1.jpg\" data-fancybox=\"gallery-item\"><img decoding=\"async\" src=\"https:\/\/www.fondazionemorragreco.com\/wp-content\/uploads\/2019\/07\/1-1.jpg\" alt=\"\" style=\"width:100%; height:auto; display:block; border-radius:2px;\"><\/a><\/div><div class=\"item\"><a class=\"fancybox\" href=\"https:\/\/www.fondazionemorragreco.com\/wp-content\/uploads\/2019\/07\/2-1.jpg\" data-fancybox=\"gallery-item\"><img 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display:block; border-radius:2px;\"><\/a><\/div><div class=\"item\"><a class=\"fancybox\" href=\"https:\/\/www.fondazionemorragreco.com\/wp-content\/uploads\/2019\/07\/31.jpg\" data-fancybox=\"gallery-item\"><img decoding=\"async\" src=\"https:\/\/www.fondazionemorragreco.com\/wp-content\/uploads\/2019\/07\/31.jpg\" alt=\"\" style=\"width:100%; height:auto; display:block; border-radius:2px;\"><\/a><\/div><\/div><\/div>\n<\/div>\n<\/div><\/div>\n","protected":false},"excerpt":{"rendered":"<p>The Storytellers\u2019 Fountain: a tale told by A Gust of Wind in the low and dark rooms The Storytellers\u2019 Fountain: a tale told by A Gust of Wind in the low and dark rooms<\/p>\n","protected":false},"author":3,"featured_media":10073,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_uag_custom_page_level_css":"","footnotes":""},"categories":[128,4],"tags":[],"class_list":["post-9065","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-exhibitions","category-past"],"blocksy_meta":[],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.4 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>The Storytellers\u2019 Fountain: a tale told by A Gust of Wind in the low and dark rooms - FONDAZIONE MORRA GRECO<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.fondazionemorragreco.com\/studio-for-propositional-cinema\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta 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